A play about memory, happiness, Rasputin, and dancing. And also the Queen. Premiered by MALAPROP Theatre at the Dublin Fringe Festival in 2017.

A play about codes, hallucinations, Isaac Newton, war crimes, seeing meaning where there's none and vice versa. First staged by MALAPROP Theatre at the 2021 Dublin Fringe Festival.

A powerful drama about two parents trying to come to terms with the disappearance of their toddler, written and first performed as an audio drama for Audible Original.

A touching one-person play about a person's true identity, the first English-language adaptation of Emmanuel Darley's hit play, Le Mardi à Monoprix.

A play set in Ayrshire after the First World War, with touches of Ibsen - from the acclaimed Scottish playwright.

A poignant two-hander about memory, truth and love.

A one-woman show based on the life and writings of the provocative columnist, writer and broadcaster, Julie Burchill.

An extraordinary and disturbing play about post-Communist Russia by a young Siberian-born writer.

McCafferty's break-through play, a tender and comic portrait of love, dignity and emotional damage.

An unsettling and unpredictable drama about the love-hate chemistry that endures between friends.

A brash and sexy short play about death, deceit and poker.

A heart-wrenching drama of anguish and missed opportunities.

A fierce and devastating fable about enforced silence.

Ibsen's three great 'problem plays', A Doll's House, Ghosts and Hedda Gabler, in sensitive and playable translations from the original Norwegian, along with a full introduction to the author, his times and his work.

A treasure trove of advice, support and encouragement that no performer should be without. Honest, witty and direct, The Golden Rules of Acting is every actor's best friend – in handy paperback form.

A suspicious death at the workplace and loner security guard Nick Prentice is hauled in for interrogation. An uproarious underworld whodunit, Ronan O’Donnell’s single-hander reworks the hardboiled crime thriller for our times.

Jamie Lloyd's version of Shakespeare's Richard III, edited for his Trafalgar Transformed production of the play in 2014, with additional bonus material.

A provocative study of what it means to be free, by the internationally acclaimed theatre director and his long-time collaborator.