Rebecca Walker's debut play Wretch was commissioned by theatre company Into The Wolf, and completed a tour of homeless day centres, drug rehab clinics and hostels in 2015, before being produced by Interval Productions in its first theatrical run at VAULT Festival 2017.

She has had short plays produced at The Cockpit, Arcola Theatre, Pleasance Edinburgh, The Vaults, Southwark Playhouse, Bush Theatre, Theatre503 and Tristan Bates Theatre, and is a graduate of the Royal Court's Invitation Group, Young Writers' Programme and the Criterion Theatre's New Writing Group.

Naomi Wallace is a playwright from Kentucky. Her plays, which have been produced in the United Kingdom, Europe, the United States, and the Middle East, include In the Heart of America, Slaughter City, One Flea Spare, The Trestle at Pope Lick Creek, Things of Dry Hours, The Fever Chart: Three Visions of the Middle East, And I and Silence, The Hard Weather Boating Party, The Liquid Plain and Night is a Room. Awards include the Susan Smith Blackburn Prize (twice), Joseph Kesselring Prize, Fellowship of Southern Writers Drama Award, Obie Award, Horton Foote Award for Most Promising New American Play, MacArthur Fellowship, and the inaugural Windham Campbell Prize for Drama.

Phoebe Waller-Bridge is an actor, playwright and screenwriter.

Her first play, Fleabag, premiered at the 2013 Edinburgh Festival Fringe, performed by Phoebe Waller-Bridge herself, before transferring to Soho Theatre, London, for several successful runs, followed by a UK tour. It won a Fringe First Award, the Most Promising New Playwright and Best Female Performance at the Off West End Theatre Awards, The Stage Award for Best Solo Performer and the Critics' Circle Award for Most Promising Playwright.

A television version of Fleabag was broadcast on BBC3/Amazon in 2016, again starring the author. It became one of the most talked and written about shows of the year, winning several awards, including a BAFTA for best actress in a comedy.

Other writing for televison includes Killing Eve (BBC America, 2018) and Crashing (E4, 2016).

Her acting credits include 2nd May 1997 (Bush Theatre), Tribes (Royal Court Theatre), Mydidae (Soho Theatre) and the award-winning film The Iron Lady.

She is co-Artistic Director of acclaimed new writing company DryWrite.

Enda Walsh is a multi-award-winning Irish playwright. He lives in London. His work has been translated into over twenty languages and has been performed internationally since 1998.

His recent plays include: Medicine at the 2021 Edinburgh International Festival and Galway International Arts Festival; Arlington at the 2016 Galway International Festival; an adaptation of Roald Dahl's The Twits for the Royal Court (2015); Ballyturk and Room 303 at the 2014 Galway International Arts Festival; Misterman, presented by Landmark Productions and Galway International Arts Festival in Ireland, London and New York (2011–2012); and several plays for Druid Theatre Company, including Penelope, which has been presented in Ireland, America and London, from 2010–2011, The New Electric Ballroom, which played Ireland, Australia, Edinburgh, London, New York and LA from 2008–2009, and The Walworth Farce, which played Ireland, Edinburgh, London and New York, as well as an American and Australian tour, from 2007–2010.

He collaborated with David Bowie on the musical Lazarus (New York Theatre Workshop, 2015, and West End, 2016), and won a Tony Award in 2012 for writing the book for the musical Once, seen on Broadway, in the West End and on a US tour.

His other plays include Delirium (Theatre O/Barbican), which played Dublin and a British tour in 2008; Chatroom (National Theatre), which played at the National Theatre and on tour in Britain and Asia (2006–2007); and The Small Things (Paines Plough), which played London and Ireland (2005).

His early plays include Bedbound (Dublin Theatre Festival) and Disco Pigs (Corcadorca).

His film work includes Disco Pigs (Temple Films/Renaissance) and Hunger (Blast/FILM4), winner of the Camera d'Or at the 2008 Cannes Film Festival.

Harriet Walter is a leading actor on stage and screen.

On stage, she has played many Shakespearean characters including Ophelia, Helena, Portia, Viola, Imogen, Lady Macbeth, Beatrice and Cleopatra (most of them for the RSC). She has also played Brutus, Henry IV and Prospero in all-female productions at the Donmar Warehouse.

She has played many other great classical stage roles, including the Duchess of Malfi (RSC), Hedda Gabler (Chichester and tour), Nina in Thomas Kilroy’s Irish version of Chekhov’s The Seagull with Anna Massey and Alan Rickman (Royal Court), Masha in Three Sisters (RSC; Olivier Award), Anna Petrovna in Ivanov with Ralph Fiennes (Almeida), Hester in The Deep Blue Sea (Theatre Royal Bath and tour), and Elizabeth I in Schiller’s Mary Stuart (Donmar Warehouse, West End, and Broadway; Evening Standard Award and Tony Award nomination). She has also performed in several contemporary classics including Caryl Churchill’s Cloud Nine (Royal Court), Harold Pinter’s Old Times (West End), Lillian Hellman’s The Children’s Hour (National), and as Linda in Arthur Miller’s Death of a Salesman with Antony Sher (RSC, Stratford and West End).  

She has created roles in new plays including Arcadia by Tom Stoppard and Yasmina Reza’s Life x 3 (National), Timberlake Wertenbaker’s Three Birds Alighting on a Field (Royal Court), Stephen Lowe’s adaptation of The Ragged Trousered Philanthropists (Joint Stock), Moira Buffini’s Dinner (National and West End), Simon Gray’s The Late Middle Classes, Stephen Poliakoff’s Sweet Panic, Tamsin Oglesby’s US and Them (Hampstead), and Clara Brennan’s Boa opposite her husband, Guy Paul (Trafalgar Studios).

Her films include The Sense of an Ending, Mindhorn, Denial, Star Wars: The Force Awakens, Suite Française, Man Up, The Wedding Video, Young Victoria, Babel, Villa des Roses (British Independent Film Award nomination), Sense and Sensibility and Louis Malle’s Milou en Mai. Her television work ranges from The Imitation Game by Ian McEwan and The Cherry Orchard (both directed by Richard Eyre), The Price (Channel 4 and RTÉ), Harriet Vane in the BBC’s Lord Peter Wimsey series and The Men’s Room, via guest appearances in Inspector Morse, Waking the Dead, Spooks, Poirot, Midsomer Murders and New Tricks, to more recent appearances as D.I. Natalie Chandler in Law and Order: UK, Little Dorrit, Downton Abbey, Black Sails, Call the Midwife and as Clementine Churchill in the Netflix series The Crown.

She has written several books, including Brutus and Other Heroines and Other People’s Shoes (both published by Nick Hern Books), Macbeth (Faber and Faber’s ‘Actors on Shakespeare’ series) and Facing It: Reflections on Images of Older Women (Facing It Publications).

She is an Honorary Associate Artist of the RSC, an Honorary D.Litt at Birmingham University, and was awarded a CBE in 2000 and a Damehood in 2011.

Zoë Wanamaker is an American-British stage, television and film actress, who has worked extensively with the Royal Shakespeare Company and the National Theatre. A nine-time Olivier Award nominee, she has also received four Tony Award nominations for her work on Broadway, as well as playing numerous roles in film and television.

Joe Ward Munrow is a playwright from Deptford, south-east London, who now lives in Liverpool. His plays include: The Legend of Ned Ludd (Liverpool Everyman, 2024); Screaming Heart, winner of the Mercury Weinberger Playwriting Prize; Blue (Royal Welsh College of Music and Drama and Gate Theatre, London); Held (Liverpool Playhouse Studio, 2012; shortlisted for Royal National Theatre Playwright's Award); The Laundry (Brockley Jack, 2011; winner of the Brockley Jack's Write Now Award and the Commended Prize in BBC's Alfred Bradley Bursary Award 2011).

​His radio plays include The Busker (BBC Radio 4, 2016; selected for BBC Radio 4's Pick of the Week).

He was the winner of the inaugural Robert Holman Grant Award in 2025.