Plays

A comic duologue about a civil servant sweltering in Moscow coping with the incessant demands of his family from their summer dacha.

A bittersweet monologue in which a scientific lecture is hijacked by thoughts of domestic misery.

A one-act play by Chekhov in a translation by Chekhov expert Stephen Mulrine.

A comic duologue about a melancholy old actor perked up by memories of past glories.

In Fabulation, playwright Lynn Nottage reimagines Esther (the character from her companion play, Intimate Apparel) as Undine, the public relations diva of today, who spirals downward from her swanky Manhattan office to her roots back in Brooklyn.

The Shipment is a provocative look at African-American identity in today's not-quite post-racial society.

Young Jean Lee's Lear is an alternative re-working of Shakespeare's celebrated tragedy, focusing on the king's three daughters.

Part of The Middlemarch Trilogy, adapted from George Eliot's novel by Geoffrey Beevers. Three interconnected plays, telling the story of Middlemarch from the perspective of a different set of characters: from county, town and countryside.

Part of The Middlemarch Trilogy, adapted from George Eliot's novel by Geoffrey Beevers. Three interconnected plays, telling the story of Middlemarch from the perspective of a different set of characters: from county, town and countryside.

Part of The Middlemarch Trilogy, adapted from George Eliot's novel by Geoffrey Beevers. Three interconnected plays, telling the story of Middlemarch from the perspective of a different set of characters: from county, town and countryside.

The first part of The James Plays cycle, exploring the complex character of the colourful Stewart King James I – poet, lover and law-maker.

The second part of Rona Munro's The James Plays cycle, James II: Day of the Innocents depicts a violent royal playground from the perspective of the child King and his contemporaries, in a terrifying arena of sharp teeth and long knives.

The third part of Rona Munro's The James Plays cycle, James III: The True Mirror, like the King himself, is colourful and unpredictable, turning its attention to the women at the heart of the royal court.

A one-act duologue by Enda Walsh which went on to inspire his play Ballyturk.

A short monologue inspired by the Third Epistle of John and first produced by the Bush Theatre, London, as part of the Sixty-Six Books season in 2011.

A cutting-edge monologue that throws light on the experience of a teenager in contemporary Britain, from one of the country's most exciting young playwrights.

A monologue first performed by Laura Lomas at Soho Theatre, London, on 5 October 2009 as part of Paines Plough's LATER programme.

A monologue play about a woman on the day of her release from prison.