John Wright is an award-winning international teacher and theatre-maker. He co-founded Trestle Theatre Company in 1980 and Told by an Idiot in 1993. He has worked on a string of productions and projects extending over three decades in Europe, Scandinavia, Asia and the UK, where his work has been seen at the National Theatre, the RSC, the Royal Court, the Almeida and the Royal Opera House.

He was granted a Greater London Arts Award for his contribution to professional training; and his belief that teaching is the greatest source of learning has enabled his ideas to be shaped and moulded by generations of students. He pioneered the teaching of Clown at university level and was one of the first people in the country to offer courses in devising.

He is the author of two books, Why Is That So Funny?: A Practical Exploration of Physical Comedy and Playing the Mask: Acting Without Bullshit.

Nicholas Wright is a leading British playwright. His plays include: 8 Hotels (Minerva Theatre, Chichester, 2019); an adaptation of Patrick Hamilton's novel The Slaves of Solitude (Hampstead Theatre, 2017); an adaptation of Pat Barker's novel Regeneration (Royal & Derngate, Northampton, 2014); Travelling Light (National Theatre, 2012); The Last of the Duchess (Hampstead Theatre, 2011); Rattigan's Nijinsky (Chichester Festival Theatre, 2011); The Reporter (National Theatre, 2007); a version of Emile Zola's Therese Raquin (National Theatre, 2006); an adaptation of Philip Pullman’s His Dark Materials (National Theatre, 2003-4); Vincent In Brixton (National Theatre, 2002; winner of the Olivier Award for Best New Play); a version of Luigi Pirandello's Naked (Almeida Theatre, 1998); and Mrs Klein (National Theatre & West End, 1988).

His writing about the theatre includes Changing Stages: A View of British Theatre in the Twentieth Century, co-written with Richard Eyre.

Tom Wright is an Australian theatre writer, mostly known for his adaptations and translations. He was born and educated in Melbourne. He was a member of Barrie Kosky's Gilgul Theatre in the 1990s, was Associate Director of Sydney Theatre Company 2004–2012, and is currently Associate Artist at Belvoir, Sydney.

His plays and adaptations include The Real & Imagined History of the Elephant Man, Picnic at Hanging Rock, A Journal of the Plague Year, The Caucasian Chalk Circle, Ubu, This Is a True Story, Lorilei, Babes in the Wood, Tense Dave, The Odyssey, The Lost Echo, Criminology (with Lally Katz), Tales from the Vienna Woods, The Women of Troy, The War of the Roses, The Duel, Baal, Optimism, Oresteia, On the Misconception of Oedipus, The Histrionic and Black Diggers.

Sophie Wu is an actress and a writer for screen and stage. Her plays include Ramona Tells Jim (Bush Theatre, London, 2017); and a one-woman show, Sophie Wu is Minging, She Looks Like She’s Dead (Edinburgh Fringe and Soho Theatre, 2014).

Stephen Wyatt is the only writer to have won the Tinniswood Award for best radio drama script twice – for Memorials to the Missing in 2007 and Gerontius in 2011. He has written over twenty original scripts for radio and numerous dramatisations including Dante's The Divine Comedy. He's also written for television (Doctor Who and Casualty) and his theatre work has been seen everywhere from London's West End to the Bubble Theatre's touring tent. In conjunction with New Writing South and the University of Sussex, he created the UK's first online radio drama course in 2009. His novel, The World and His Wife, was published in 2019.

William Wycherley (1641–1716) was an English dramatist of the Restoration period, best known for the plays The Country Wife and The Plain Dealer.

Danny Lee Wynter is an actor, activist, playwright and columnist. He is the founder of Act For Change, the campaign group that helped change representation across the live and recorded arts. His plays include BLACK SUPERHERO (Royal Court Theatre, London, 2023).