Nick Hern Books

Theatre Books

Showing 109-126 of 309 items.
The Reluctant Escapologist: Adventures in Alternative Theatre

The Reluctant Escapologist: Adventures in Alternative Theatre

By Mike Bradwell

An unrivalled unofficial history of the rise – and partial fall – of fringe theatre, Mike Bradwell's deadpan account of his adventures is one of the funniest and angriest books to come out of theatre today.

The Monologue Audition

The Monologue Audition

A Practical Guide for Actors

By Karen Kohlhaas

An intensely practical 'how-to' book for actors, helping you meet the challenges of picking, preparing and performing audition monologues for theatres, agents, casting directors and training programmes. With a foreword by David Mamet.

Through The Body

Through The Body

A Practical Guide to Physical Theatre

By Dymphna Callery

A step-by-step guide to Physical Theatre in both theory and practice - full of detailed exercises and inspiring ideas.

One Night Stands

One Night Stands

A Critic's View of Modern British Theatre

By Michael Billington

Michael Billington's own selection from twenty years of reviewing theatre for The Guardian - from 1971-1991.

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The Articulate Body

The Articulate Body

The Physical Training of the Actor

By Anne Dennis

The highly regarded actor training manual by a top movement teacher.

Laban For All

Laban For All

By Jean Newlove and John Dalby

A comprehensive 'how to' book on the Laban system of movement - from the author of Laban for Actors and Dancers.

Other People's Shoes

Other People's Shoes

Thoughts on Acting

By Harriet Walter

Harriet Walter's wonderfully practical - and personal - introduction to acting.

Year of the King

Year of the King

By Antony Sher

A classic of theatre writing, a unique insight into the creation of a landmark Shakespearian performance.

So You Want To Be A Theatre Director?

So You Want To Be A Theatre Director?

By Stephen Unwin

A hands-on, step-by-step guide to directing plays – by one of Britain's leading theatre directors.

Why Is That So Funny?

Why Is That So Funny?

A Practical Exploration of Physical Comedy

By John Wright Foreword by Toby Jones

A practical investigation of how comedy works, by a well-respected practitioner and teacher. With a Foreword by Toby Jones.

Tackling Text [and subtext]

Tackling Text [and subtext]

A Step-by-Step Guide for Actors

By Barbara Houseman

An intensely practical handbook for actors on how to cope with text, subtext, character and situation.

Taking Stock: The Theatre of Max Stafford-Clark

Taking Stock: The Theatre of Max Stafford-Clark

By Max Stafford-Clark and Philip Roberts

Inside accounts of the making of some of the most influential theatre productions of the last four decades.

House of Games

House of Games

Making Theatre from Everyday Life

By Chris Johnston

A treasure trove of drama games and exercises, an immensely valuable resource for teachers, theatre directors and drama workshop leaders.

Profiles

Profiles

By Kenneth Tynan Edited by Kathleen Tynan

The only collection of Tynan's star-studded profiles, his incisive pen-portraits of many of the most significant performers and writers of his day.

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The Improvisation Book

The Improvisation Book

How to Conduct Successful Improvisation Sessions

By John Abbott

A practical guide to conducting improvisation sessions, for teachers, directors and workshop leaders.

  • Paperback£14.99 £11.99
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Freeing the Natural Voice

Freeing the Natural Voice

By Kristin Linklater

The classic voice-training book for actors, teachers of voice and speech and anyone interested in vocal expression – by a pre-eminent voice teacher, actor and director.

Meisner in Practice

Meisner in Practice

A Guide for Actors, Directors and Teachers

By Nick Moseley

A step-by-step introduction to the key features of the Meisner Technique, including a full set of practical exercises.

Speaking the Speech

Speaking the Speech

An Actor's Guide to Shakespeare

By Giles Block Foreword by Mark Rylance

An invaluable book for actors and directors who want to improve their understanding of Shakespeare’s language in order to speak it better.

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