Nine Night

'A remarkable debut… Gordon has a finely tuned ear for the humour of everyday life… an eloquent vision of what it means to be haunted by the past'

'Reverberates with authenticity… [has] a great warmth of characterisation'

'Gordon's intense, moving play pulls the focus tightly on a mourning family, and the mingled strains and comforts that tradition offers... her humour isn't cautious: it's unafraid to poke at racism, colourism, and the insults traded as Jamaica and Britain stare each other down, across centuries of brutal and oppressive history… the play says so much about how we rely on family for validation, for confirmation of our identity, putting a weight of need onto them that they sometimes just can’t fulfil. And it points to the cathartic power of ritual, too, in a culture whose burial rites are miles away from traditional England’s sad, grey funeral teas'

'Sharp and snappy… an undeniably important piece that both celebrates and gives a voice to the Windrush generation and its descendants living in Britain today'

'The beauty of Nine Night is in the ordinariness of it. The mainstream delivery of black stories is often – too often – overtly political. Brutalised bodies and violent racism is disturbingly normalised in black British theatre. But what we have here is a pure tale about a regular family, dealing with a regular fact of life. This play is a gift, and you’d do well to go and receive it'

'A highly impressive debut play… Gordon has a gift for raising big issues through laughter'

'Natasha Gordon's debut play buzzes with comic energy and boasts moments of affecting intensity'

'An engaging family drama and a wonderful celebration of Jamaican culture in the UK'