Edward Kemp is a UK-based writer, theatre director, translator and dramaturg. He has been Director of the Royal Academy of Drama Art (RADA) since 2008.

Arinzé Kene is a playwright and actor. His plays include Misty (Bush Theatre, London, and West End, 2018); good dog (Tiata Fahodzi, 2017); God’s Property (Soho Theatre, 2013); Estate Walls (Ovalhouse Theatre, 2011); and Little Baby Jesus (Ovalhouse, 2011). He was awarded an MBE in 2020.

Adam P. Kennedy is the son of the African-American playwright Adrienne Kennedy, and joint author of some of her semi-autobiographical plays.

Adrienne Kennedy has been a prominent American playwright since the early 1960s. She is a three-time Obie Award winner for Funnyhouse of a Negro (1964), June and Jean in Concert (1996), and Sleep Deprivation Chamber (1996), and she is the recipient of an Obie Award for Lifetime Achievement. She was inducted into The Theater Hall of Fame in 2018.

Fin Kennedy is an award-winning playwright of theatre and radio whose plays are regularly produced in the UK and abroad. In 2021 he set up Applied Stories, a digital production company making audio drama and online training.

His first play Protection was produced at Soho Theatre in 2003, where he was also Pearson writer-in-residence. His second play How To Disappear Completely and Never Be Found won the 38th Arts Council John Whiting Award and has been produced around the world. It has become a firm favourite with student and amateur performance groups and is among Nick Hern Books' most licensed plays.

Fin has 20 years' experience writing for teenagers, often through a process of being embedded in an inner-city school or youth theatre.

His first two plays for teenagers, Locked In (2006) and We Are Shadows (2008) were produced by Half Moon Young People's Theatre and toured nationally. Life Raft (2015) for Bristol Old Vic Young Company, has been translated into German and French for use in schools across Europe.

From 2006-2014 Fin was writer-in-residence at Mulberry School for Girls in east London, for whom he has written seven plays, published in two volumes by Nick Hern Books as The Urban Girl's Guide to Camping and other plays and The Domino Effect and other plays for teenagers.

Fin also writes for radio and has had ten Afternoon Plays broadcast on BBC Radio 4 including The Good Listener, a returning series set inside GCHQ and On Kosovo Field, a collaboration with musician PJ Harvey.

Fin's most recent venture is the UK's first fully online Playwrighting for Teachers course, to pass on many of the original creative writing exercises he has devised over the years.

Jemma Kennedy is a playwright and screenwriter. Her work has been seen internationally, including at Hampstead Theatre and the National Theatre, London, where she has been both playwright-in-residence and teacher of playwriting.

Her plays include Second Person Narrative for Tonic Theatre's Platform initiative; The Gift, part of the Hoard Festival for the New Vic Theatre; The Summer Book and The Prince and the Pauper for the Unicorn Theatre; The Grand Irrationality for the Lost Theatre Studio (Los Angeles) and Don't Feed the Animals for National Theatre Connections 2013.

She was Pearson Playwright at the National Theatre in 2010 and part of the inaugural Soho 6 writing scheme with Soho Theatre Company in 2012.

Her novel Skywalking was published by Penguin/Viking in 2002.

She has acted as a writing mentor and judge for the National Theatre's New Views playwriting course and competition for young writers, and teaches playwriting at the National Theatre’s Clore Learning Centre. She has also mentored writers for the Koestler Trust. She is the author of The Playwright's Journey: From First Spark to First Night (Nick Hern Books, 2022).

Mike Kenny is one of Britain’s leading children’s playwrights, and was included in the Independent on Sunday's list of Top Ten Living UK Playwrights. His adaptation of E. Nesbit's The Railway Children won an Oliver award for Best Entertainment and has toured worldwide.

Lucy Kerbel is the Director of Tonic Theatre. Prior to founding Tonic in 2011, she worked as a theatre director. It was while directing around the UK that she became interested in the question of gender equality in theatre. Recognising the industry would need better support if it were to achieve greater gender balance in its workforces and repertoires, she founded Tonic to go some way towards achieving this. She now heads Tonic’s work across theatre, the performing arts and wider creative industries.

She is the author of two books, 100 Great Plays for Women and All Change Please, published by Nick Hern Books. She is a regular speaker on women in the arts, and is on the board of the Susan Smith Blackburn Prize for women playwrights.

Ann-Marie Kerr is a Canadian theatre director, actor and teacher.