A contemporary classic set during the Glasgow Rent Strike of 1915, with one of the best women's roles ever to emerge from Scottish theatre, an unforgettable tragicomic heroine with an extraordinary power to repel and attract.

Fletcher and Massinger's bawdy Jacobean drama is transposed to 1890s Johannesburg.

A wartime comedy set in Cairo.

Làzaro, his mates and his porn-star girlfriend are 'art terrorists'... Can anything stop their killing spree?

A farce about a touring theatre troupe, written to accompany The Browning Version in a double-bill under the joint title, Playbill.

A collaborative piece written with David Lan, combining words and dance. Inspired by Euripides' Bacchae, the play explores modern experiences of 'possession, violence and other states where people feel beside themselves'.

Germaine Lauzon has won a million Green Shield stamps. She invites her female friends and relations to a party to paste the stamps into the books. The temptation to pilfer the stamps is irresistible and an enormous fight breaks out.

A demonstration of O'Neill's expressionistic experimentation with masks to emphasise the distinction between characters, and the lack of understanding in human relationships.

A political thriller set in the midst of a bitterly fought US governor's election, from the Democrat perspective. Part of David Edgar's two-play cycle, Continental Divide.

The first part of Mike Poulton's two-part adaptation of Hilary Mantel's acclaimed novels Wolf Hall and Bring Up the Bodies. A thrilling and utterly convincing portrait of a brilliant man embroiled in the lethal, high-stakes politics of the Court of Henry VIII.

A one-act play by Chekhov in a translation by Chekhov expert Stephen Mulrine.

In Fabulation, playwright Lynn Nottage reimagines Esther (the character from her companion play, Intimate Apparel) as Undine, the public relations diva of today, who spirals downward from her swanky Manhattan office to her roots back in Brooklyn.