Part of The Middlemarch Trilogy, adapted from George Eliot's novel by Geoffrey Beevers. Three interconnected plays, telling the story of Middlemarch from the perspective of a different set of characters: from county, town and countryside.

Part of The Middlemarch Trilogy, adapted from George Eliot's novel by Geoffrey Beevers. Three interconnected plays, telling the story of Middlemarch from the perspective of a different set of characters: from county, town and countryside.

Part of The Middlemarch Trilogy, adapted from George Eliot's novel by Geoffrey Beevers. Three interconnected plays, telling the story of Middlemarch from the perspective of a different set of characters: from county, town and countryside.

The second part of Rona Munro's The James Plays cycle, James II: Day of the Innocents depicts a violent royal playground from the perspective of the child King and his contemporaries, in a terrifying arena of sharp teeth and long knives.

The third part of Rona Munro's The James Plays cycle, James III: The True Mirror, like the King himself, is colourful and unpredictable, turning its attention to the women at the heart of the royal court.

A short play from the author of Jumpers for Goalposts.

A provocative short play about parenthood and responsibility, from the author of Mr Incredible and Where Do Little Birds Go?.

Alfred Jarry's surreal and hilarious satire of power, greed, and bourgeois pretension, the first of his three plays about the comically grotesque character of Pa Ubu.

The third and final part of The Ubu Plays, Alfred Jarry's surreal and hilarious satire of power, greed, and bourgeois pretension. Slave Ubu concludes the adventures of Pa Ubu.

The second part of Mike Poulton's two-part adaptation of Hilary Mantel's acclaimed novels Wolf Hall and Bring Up the Bodies. A thrilling and utterly convincing portrait of a brilliant man embroiled in the lethal, high-stakes politics of the Court of Henry VIII.

A dark and frequently absurdist play about how we have treated those we call 'mentally ill'.

The final part of Hilary Mantel's hugely acclaimed Wolf Hall trilogy, adapted by the author with the actor Ben Miles and staged by the Royal Shakespeare Company.