Part of The Middlemarch Trilogy, adapted from George Eliot's novel by Geoffrey Beevers. Three interconnected plays, telling the story of Middlemarch from the perspective of a different set of characters: from county, town and countryside.

Part of The Middlemarch Trilogy, adapted from George Eliot's novel by Geoffrey Beevers. Three interconnected plays, telling the story of Middlemarch from the perspective of a different set of characters: from county, town and countryside.

The first part of The James Plays cycle, exploring the complex character of the colourful Stewart King James I – poet, lover and law-maker.

The second part of Rona Munro's The James Plays cycle, James II: Day of the Innocents depicts a violent royal playground from the perspective of the child King and his contemporaries, in a terrifying arena of sharp teeth and long knives.

The third part of Rona Munro's The James Plays cycle, James III: The True Mirror, like the King himself, is colourful and unpredictable, turning its attention to the women at the heart of the royal court.

A one-act duologue by Enda Walsh which went on to inspire his play Ballyturk.

A short monologue inspired by the Third Epistle of John and first produced by the Bush Theatre, London, as part of the Sixty-Six Books season in 2011.

A cutting-edge monologue that throws light on the experience of a teenager in contemporary Britain, from one of the country's most exciting young playwrights.

A monologue first performed by Laura Lomas at Soho Theatre, London, on 5 October 2009 as part of Paines Plough's LATER programme.

A monologue play about a woman on the day of her release from prison.

A powerfully atmospheric one-woman play, All On Her Own tells the story of Rosemary who, alone at midnight in London, has a secret burden to share that is both heartbreaking and sinister.

A monologue about love and entitlement by Camilla Whitehill, author of Where Do Little Birds Go?, who was described by The Times as 'a writer of huge promise'.