Modern Drama

This section contains plays written or premiered after 1945.

Showing 337-348 of 1,375 items.

Echoes

2f, aged 17

A bloody tale of colonialism – ancient and modern – and the rhyme of history. Part of the Arabian Nightmares trilogy.

Ecstasy

3f 3m

A play about loneliness, togetherness, longing, warmth and love.

Edgar & Annabel

3f 4m

An Orwellian dystopian fable about a group of freedom fighters attempting to stand up to a repressive regime, while being continuously subjected to surveillance.

Educating Agnes

2f 5m

A dark and wickedly funny farce about one man's twisted attempts to find a woman he can control completely.

Education, Education, Education

3-5f 4-7m

A theatrical love letter to the schools of the 1990s, asking big questions about a country in special measures, exploring what we are taught and why, and where responsibility lies. Full of inventive theatricality and irreverent humour.

Eggs

2f

A dark comedy about female friendship, fertility and freaking out, by Florence Keith-Roach, 'rising star of the London theatre scene' (Evening Standard).

Egusi Soup

3f 2m

A fast and funny family drama about intergenerational and cross-cultural relationships - containing plenty of spicy bits…

Egyptian Products

1f 2m plus 1-7m or f

A play from Egypt, part of the Royal Court Theatre's Arab World initiative in conjunction with the British Council.

Eight

9 monologues (4f 5m)

Eight compelling monologues offering a state-of-the-nation group portrait for the stage.

Electric Rosary

5f plus 1 'child' (f or m)

A sharp, timely and gloriously funny play that asks what faith really means in the age of artificial intelligence. Winner of the Bruntwood Prize Judges' Award.

Elephants

4f (aged nineteen, twenty-two, early fifties and mid-fifties) 3m (nineteen, early & mid-fifties)

A sharp black comedy with a tender heart that explores the paths we take in life and their repercussions on the people we love most.

The Eleventh Capital

3f 5m doubling (13 characters)

An arresting 60-minute debut play about dislocation, manipulation and power, winner of the George Devine Award for Most Promising Playwright.

Amateur Productions
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Bill Bryson, Adapted by Tim Whitnall

Fin Kennedy

Amanda Whittington

Alexandra Wood, Adapted from Kate Summerscale

Amanda Whittington


Henrik Ibson, Adapted by Richard Eyre

Tom Wells

Jeremy Sams, Original authors John Esmonde and Bob Larbey