Belfry
A deeply moving tale about what lies beneath the surface of everyday lives.
Low in the Dark
A witty and absurdist play that dismantles the myths of motherhood and exposes the sexism of language and religious imagery.
Manon / Sandra
A controversial but humane play about an obsessively religious girl and a sex-obsessed transvestite, by the renowned Quebecois writer.
Misogynist
A powerful anatomy of misogyny, by 'one of the most significant new Irish writers of his generation' (Sunday Times).
Tartuffe
A rollicking Scots version of Molière's classic of political satire and black comedy.
A Bed of Roses
An acerbic and funny play about middle-class hypocrisy and universal apathy.
Wolf Hall (stage version)
The first part of Mike Poulton's two-part adaptation of Hilary Mantel's acclaimed novels Wolf Hall and Bring Up the Bodies. A thrilling and utterly convincing portrait of a brilliant man embroiled in the lethal, high-stakes politics of the Court of Henry VIII.
Bring Up the Bodies (stage version)
The second part of Mike Poulton's two-part adaptation of Hilary Mantel's acclaimed novels Wolf Hall and Bring Up the Bodies. A thrilling and utterly convincing portrait of a brilliant man embroiled in the lethal, high-stakes politics of the Court of Henry VIII.
The Middlemarch Trilogy: Dorothea's Story
Part of The Middlemarch Trilogy, adapted from George Eliot's novel by Geoffrey Beevers. Three interconnected plays, telling the story of Middlemarch from the perspective of a different set of characters: from county, town and countryside.
James I: The Key Will Keep the Lock
The first part of The James Plays cycle, exploring the complex character of the colourful Stewart King James I – poet, lover and law-maker.
James II: Day of the Innocents
The second part of Rona Munro's The James Plays cycle, James II: Day of the Innocents depicts a violent royal playground from the perspective of the child King and his contemporaries, in a terrifying arena of sharp teeth and long knives.
James III: The True Mirror
The third part of Rona Munro's The James Plays cycle, James III: The True Mirror, like the King himself, is colourful and unpredictable, turning its attention to the women at the heart of the royal court.