A deeply moving tale about what lies beneath the surface of everyday lives.

A witty and absurdist play that dismantles the myths of motherhood and exposes the sexism of language and religious imagery.

A controversial but humane play about an obsessively religious girl and a sex-obsessed transvestite, by the renowned Quebecois writer.

A powerful anatomy of misogyny, by 'one of the most significant new Irish writers of his generation' (Sunday Times).

A rollicking Scots version of Molière's classic of political satire and black comedy.

An acerbic and funny play about middle-class hypocrisy and universal apathy.

The first part of Mike Poulton's two-part adaptation of Hilary Mantel's acclaimed novels Wolf Hall and Bring Up the Bodies. A thrilling and utterly convincing portrait of a brilliant man embroiled in the lethal, high-stakes politics of the Court of Henry VIII.

The second part of Mike Poulton's two-part adaptation of Hilary Mantel's acclaimed novels Wolf Hall and Bring Up the Bodies. A thrilling and utterly convincing portrait of a brilliant man embroiled in the lethal, high-stakes politics of the Court of Henry VIII.

Part of The Middlemarch Trilogy, adapted from George Eliot's novel by Geoffrey Beevers. Three interconnected plays, telling the story of Middlemarch from the perspective of a different set of characters: from county, town and countryside.

The first part of The James Plays cycle, exploring the complex character of the colourful Stewart King James I – poet, lover and law-maker.

The second part of Rona Munro's The James Plays cycle, James II: Day of the Innocents depicts a violent royal playground from the perspective of the child King and his contemporaries, in a terrifying arena of sharp teeth and long knives.

The third part of Rona Munro's The James Plays cycle, James III: The True Mirror, like the King himself, is colourful and unpredictable, turning its attention to the women at the heart of the royal court.