By turns dark and shimmering, Moth is a fast, funny and heartbreaking story about two young people with nowhere to go.

A gripping play exploring Western guilt towards the Third World, from an author well-known for her award-winning adaptations for Shared Experience and the National Theatre.

A collection of dramatic monologues and real-life reflections by some of the UK's leading writers, artists and thinkers, and explores all the guilt, joy and absurdity, the regrets, pressures and taboos surrounding motherhood.

A gripping account of a bitterly fought US governor's election from the Republican perspective. Part of David Edgar's two-play cycle, Continental Divide.

The West End edition of the fierce, funny play about a clash of theatrical titans, Richard Burton and John Gielgud, winner of the Evening Standard Award for Best Play and the Critics' Circle Award for Best New Play.

At a homecoming party for Dennis and Laura's teenage son, the reappearance of an old family friend throws up secrets from the past and paves the way for fresh disaster.

A collaborative piece written with David Lan, combining words and dance. Inspired by Euripides' Bacchae, the play explores modern experiences of 'possession, violence and other states where people feel beside themselves'.

Ian Kelly’s riotously funny play, based on his award-winning biography of Samuel Foote, explores our obsession with celebrities, through the true story of the Oscar Wilde of the 18th century.

A brutal one-man play about modern love and old-fashioned entitlement.

A monologue about love and entitlement by Camilla Whitehill, author of Where Do Little Birds Go?, who was described by The Times as 'a writer of huge promise'.

A delightfully morbid black comedy with a nod to Hitchcock's Rope.

A gritty, darkly funny look at attitudes to homosexuality in the 1950s, a portrait of repressed sexuality and alcoholism – and an homage to the great masters of British theatre, Wilde, Coward, Pinter and Orton.