An epic rollercoaster of a play travelling from 1968 to 2525 and back again, driven by an all-pervasive fear of the future and a guilty pleasure in the excesses of the present.

A bloody tale of colonialism – ancient and modern – and the rhyme of history. Part of the Arabian Nightmares trilogy.

A play about loneliness, togetherness, longing, warmth and love.

An Orwellian dystopian fable about a group of freedom fighters attempting to stand up to a repressive regime, while being continuously subjected to surveillance.

A theatrical love letter to the schools of the 1990s, asking big questions about a country in special measures, exploring what we are taught and why, and where responsibility lies. Full of inventive theatricality and irreverent humour.

Officially attributed to Shakespeare only in 1998, Edward III is set in the age of chivalry and chronicles the beginning of the 100 Years War. Following the exploits of Edward, the Black Prince, it also acts as a prequel to Richard II.

A dark comedy about female friendship, fertility and freaking out, by Florence Keith-Roach, 'rising star of the London theatre scene' (Evening Standard).

A fast and funny family drama about intergenerational and cross-cultural relationships - containing plenty of spicy bits…

A play from Egypt, part of the Royal Court Theatre's Arab World initiative in conjunction with the British Council.

Eight compelling monologues offering a state-of-the-nation group portrait for the stage.

Euripides' version of the Ancient Greek myth of revenge on a murdering parent. In the Nick Hern Books Drama Classics series.

A sharp, timely and gloriously funny play that asks what faith really means in the age of artificial intelligence. Winner of the Bruntwood Prize Judges' Award.