The first part of The James Plays cycle, exploring the complex character of the colourful Stewart King James I – poet, lover and law-maker.

The second part of Rona Munro's The James Plays cycle, James II: Day of the Innocents depicts a violent royal playground from the perspective of the child King and his contemporaries, in a terrifying arena of sharp teeth and long knives.

The third part of Rona Munro's The James Plays cycle, James III: The True Mirror, like the King himself, is colourful and unpredictable, turning its attention to the women at the heart of the royal court.

Fletcher and Massinger's bawdy Jacobean drama is transposed to 1890s Johannesburg.

A contemporary classic set during the Glasgow Rent Strike of 1915, with one of the best women's roles ever to emerge from Scottish theatre, an unforgettable tragicomic heroine with an extraordinary power to repel and attract.

A celebration of women's work in a Glasgow wash-house set on Hogmanay.

The final part of Hilary Mantel's hugely acclaimed Wolf Hall trilogy, adapted by the author with the actor Ben Miles and staged by the Royal Shakespeare Company.

A short monologue play about a pregnant wheelchair user facing a tough decision, commissioned by the BBC as part of CripTales, a television series marking the twenty-fifth anniversary of the UK's Disability Discrimination Act.

A joyful stage adaptation of Frank Capra's movie about a down-on-his-luck banker who feels like he's at the end of his rope, until his guardian angel pays him a visit.

A powerful and beautifully observed short play for one actor, exploring the impact of the newly established National Health Service on working people's lives in the 1940s and 50s.

A play set in 1950s Nottingham, following a group of friends who work on the production line of the John Player tobacco factory.

The story of King Arthur, Merlin and the sword in the stone, retold by Scotland's leading writer of plays for children.