Daughters of the Revolution
A political thriller set in the midst of a bitterly fought US governor's election, from the Democrat perspective. Part of David Edgar's two-play cycle, Continental Divide.
All God's Chillun Got Wings
An expressionist play about a violently dysfunctional mixed-race marriage, inspired by an old Negro spiritual.
Enter A Gentleman
A 15-minute play based on Restoration playwright Aphra Behn's tempestuous love affair with John Hoyle.
Fabulation
In Fabulation, playwright Lynn Nottage reimagines Esther (the character from her companion play, Intimate Apparel) as Undine, the public relations diva of today, who spirals downward from her swanky Manhattan office to her roots back in Brooklyn.
The Middlemarch Trilogy: Dorothea's Story
Part of The Middlemarch Trilogy, adapted from George Eliot's novel by Geoffrey Beevers. Three interconnected plays, telling the story of Middlemarch from the perspective of a different set of characters: from county, town and countryside.
The Middlemarch Trilogy: Fred and Mary's Story
Part of The Middlemarch Trilogy, adapted from George Eliot's novel by Geoffrey Beevers. Three interconnected plays, telling the story of Middlemarch from the perspective of a different set of characters: from county, town and countryside.
The Middlemarch Trilogy: The Doctor's Story
Part of The Middlemarch Trilogy, adapted from George Eliot's novel by Geoffrey Beevers. Three interconnected plays, telling the story of Middlemarch from the perspective of a different set of characters: from county, town and countryside.
James I: The Key Will Keep the Lock
The first part of The James Plays cycle, exploring the complex character of the colourful Stewart King James I – poet, lover and law-maker.
James II: Day of the Innocents
The second part of Rona Munro's The James Plays cycle, James II: Day of the Innocents depicts a violent royal playground from the perspective of the child King and his contemporaries, in a terrifying arena of sharp teeth and long knives.
James III: The True Mirror
The third part of Rona Munro's The James Plays cycle, James III: The True Mirror, like the King himself, is colourful and unpredictable, turning its attention to the women at the heart of the royal court.
Gypsy Girl
A monologue first performed by Laura Lomas at Soho Theatre, London, on 5 October 2009 as part of Paines Plough's LATER programme.
Where I'm From
A monologue play about a woman on the day of her release from prison.