Showing 337-348 of 1,396 items.

Edward III

2f 15m

Officially attributed to Shakespeare only in 1998, Edward III is set in the age of chivalry and chronicles the beginning of the 100 Years War. Following the exploits of Edward, the Black Prince, it also acts as a prequel to Richard II.

Eggs

2f

A dark comedy about female friendship, fertility and freaking out, by Florence Keith-Roach, 'rising star of the London theatre scene' (Evening Standard).

Egusi Soup

3f 2m

A fast and funny family drama about intergenerational and cross-cultural relationships - containing plenty of spicy bits…

Egyptian Products

1f 2m plus 1-7m or f

A play from Egypt, part of the Royal Court Theatre's Arab World initiative in conjunction with the British Council.

Eight

9 monologues (4f 5m)

Eight compelling monologues offering a state-of-the-nation group portrait for the stage.

Electra

2f 7m, plus chorus and extras

Euripides' version of the Ancient Greek myth of revenge on a murdering parent. In the Nick Hern Books Drama Classics series.

 

Electra

2f 7m, plus chorus and extras

A tragic tale of duty, retribution and fate, in the Nick Hern Books Drama Classics series.

Electric Rosary

5f plus 1 'child' (f or m)

A sharp, timely and gloriously funny play that asks what faith really means in the age of artificial intelligence. Winner of the Bruntwood Prize Judges' Award.

Elephants

4f (aged nineteen, twenty-two, early fifties and mid-fifties) 3m (nineteen, early & mid-fifties)

A sharp black comedy with a tender heart that explores the paths we take in life and their repercussions on the people we love most.

The Eleventh Capital

3f 5m doubling (13 characters)

An arresting 60-minute debut play about dislocation, manipulation and power, winner of the George Devine Award for Most Promising Playwright.

Elizabeth Gordon Quinn (National Theatre of Scotland version)

4f 5m, doubling

A contemporary classic set during the Glasgow Rent Strike of 1915, with one of the best women's roles ever to emerge from Scottish theatre, an unforgettable tragicomic heroine with an extraordinary power to repel and attract.

Elizabeth Gordon Quinn (original Traverse Theatre version)

4f 5m doubling

A contemporary classic set during the Glasgow Rent Strike of 1915, with one of the best women's roles ever to emerge from Scottish theatre, an unforgettable tragicomic heroine with an extraordinary power to repel and attract.

Published in volume Scot-Free

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    Bill Bryson, Adapted by Tim Whitnall

    Fin Kennedy

    Amanda Whittington

    Alexandra Wood, Adapted from Kate Summerscale

    Amanda Whittington


    Henrik Ibson, Adapted by Richard Eyre

    Tom Wells

    Jeremy Sams, Original authors John Esmonde and Bob Larbey