A contemporary classic set during the Glasgow Rent Strike of 1915, with one of the best women's roles ever to emerge from Scottish theatre, an unforgettable tragicomic heroine with an extraordinary power to repel and attract.

Fletcher and Massinger's bawdy Jacobean drama is transposed to 1890s Johannesburg.

A wartime comedy set in Cairo.

Làzaro, his mates and his porn-star girlfriend are 'art terrorists'... Can anything stop their killing spree?

A farce about a touring theatre troupe, written to accompany The Browning Version in a double-bill under the joint title, Playbill.

A collaborative piece written with David Lan, combining words and dance. Inspired by Euripides' Bacchae, the play explores modern experiences of 'possession, violence and other states where people feel beside themselves'.

Germaine Lauzon has won a million Green Shield stamps. She invites her female friends and relations to a party to paste the stamps into the books. The temptation to pilfer the stamps is irresistible and an enormous fight breaks out.

A demonstration of O'Neill's expressionistic experimentation with masks to emphasise the distinction between characters, and the lack of understanding in human relationships.

A political thriller set in the midst of a bitterly fought US governor's election, from the Democrat perspective. Part of David Edgar's two-play cycle, Continental Divide.

The first part of Mike Poulton's two-part adaptation of Hilary Mantel's acclaimed novels Wolf Hall and Bring Up the Bodies. A thrilling and utterly convincing portrait of a brilliant man embroiled in the lethal, high-stakes politics of the Court of Henry VIII.

A one-act play by Chekhov in a translation by Chekhov expert Stephen Mulrine.

In Fabulation, playwright Lynn Nottage reimagines Esther (the character from her companion play, Intimate Apparel) as Undine, the public relations diva of today, who spirals downward from her swanky Manhattan office to her roots back in Brooklyn.

Part of The Middlemarch Trilogy, adapted from George Eliot's novel by Geoffrey Beevers. Three interconnected plays, telling the story of Middlemarch from the perspective of a different set of characters: from county, town and countryside.

Part of The Middlemarch Trilogy, adapted from George Eliot's novel by Geoffrey Beevers. Three interconnected plays, telling the story of Middlemarch from the perspective of a different set of characters: from county, town and countryside.

Part of The Middlemarch Trilogy, adapted from George Eliot's novel by Geoffrey Beevers. Three interconnected plays, telling the story of Middlemarch from the perspective of a different set of characters: from county, town and countryside.

A short play satirising the charity business, written for television. First broadcast on BBC One as part of the BBC's Play for Today series.

The second part of Rona Munro's The James Plays cycle, James II: Day of the Innocents depicts a violent royal playground from the perspective of the child King and his contemporaries, in a terrifying arena of sharp teeth and long knives.

The third part of Rona Munro's The James Plays cycle, James III: The True Mirror, like the King himself, is colourful and unpredictable, turning its attention to the women at the heart of the royal court.