Two plays by Korean-American theatre practitioner and writer Young Jean Lee, who here 'confirms herself as one of the best experimental playwrights in America' (Timeout New York).
A story about the nature of storytelling, based on a Victorian hoaxer's tale of being a castaway in the South Pacific - complete with buried treasure, a giant killer octopus, and cannibals.
Five plays by the Pulitzer Prize-winning author.
Sister Suzie Cinema is a 'doo-wop opera' inspired by the author's coming of age amidst the pop culture of the 50s.
A play that rips apart history to shed new light on the nexus of race, gender, and sexuality in twenty-first-century America.
A gripping examination of the conflicting realities of the black experience of twentieth-century America.
A remarkably funny, sharply articulated missive about tragedy in the contemporary world.
A collection of plays from the experimental writer-director Young Jean Lee.
An imaginative exploration of the power of memory, love and human connection.
A Physics and Biophysics of Storytelling
An investigation into how stories work in our bodies and our lives, from the author of Stories I Ain't Told Nobody Yet.
The groundbreaking rock musical about teenage sexuality, with book and lyrics by Steven Sater and music by Duncan Sheik.
A dazzlingly entertaining dramatisation of three stories by the celebrated black iconoclast, Zora Heale Hurston: a rich folk tapestry of rural and urban black America in the 20th century.
Opportunities for Directors and Choreographers
An essential handbook for student and professional directors, covering training and courses, grants and fellowships, companies and organisations, agents and managers, and much more.
Sarah Ruhl, one of America’s most widely produced playwrights, brings her unique mix of lyricism, sparkling humour and fierce intelligence to the world of romantic comedy.
A compassionate morality tale about a elected official in the Bronx forced into a confrontation by the mortgage crisis, Storefront Church is the concluding part of John Patrick Shanley's 'Church and State' trilogy of plays.
Fifty-four monologues and dialogues drawn from ‘found’ stories told by everyday people living everyday lives in East Tennessee and the Appalachia region of the USA.