Writing at the end of his own long life, in Oedipus at Colonus Sophocles depicts his doomed hero's final hours; at the moment of his death the aged Oedipus is free at last. Envisaging this meditation on mortality as a rousing service in a black church, Lee Breuer has created a remarkable text based on Robert Fitzgerald's splendid translation.

Exploring the opening up of Japan to American influence and using motifs from Japanese theatre and music, this is one of Sondheim's most adventurous musicals.

David Hwang invokes the age in which his great grandfather broke with Confucian tradition by converting to Christianity and unbinding his daughter's feet. Golden Child explores the impact of these momentous decisions  on succeeding generations.

A play in the tradition of Arthur Miller: an impassioned exploration of the impact of politics on an American family.

A hard-hitting play about the Philippines in the Marcos era, adapted by Jessica Hagedorn from her own novel of the same name.

Fifty-four monologues and dialogues drawn from ‘found’ stories told by everyday people living everyday lives in East Tennessee and the Appalachia region of the USA.

A story of greed, yearning and murder with incest and infanticide, and edged with echoes of Ancient Greek tragedy within a New England farming family.

A demonstration of O'Neill's expressionistic experimentation with masks to emphasise the distinction between characters, and the lack of understanding in human relationships.

A nightmarish condemnation of the dehumanising effects of industrialisation on the American people.

An expressionist play about a violently dysfunctional mixed-race marriage, inspired by an old Negro spiritual.

An expressionistic chronicle of a black dictator's flight from his oppressed subjects.

In Fabulation, playwright Lynn Nottage reimagines Esther (the character from her companion play, Intimate Apparel) as Undine, the public relations diva of today, who spirals downward from her swanky Manhattan office to her roots back in Brooklyn.