The second part of Rona Munro's The James Plays cycle, James II: Day of the Innocents depicts a violent royal playground from the perspective of the child King and his contemporaries, in a terrifying arena of sharp teeth and long knives.

The third part of Rona Munro's The James Plays cycle, James III: The True Mirror, like the King himself, is colourful and unpredictable, turning its attention to the women at the heart of the royal court.

Joe Orton's brilliantly inventive and staggeringly bold first play.

A one-act duologue by Enda Walsh which went on to inspire his play Ballyturk.

A short monologue inspired by the Third Epistle of John and first produced by the Bush Theatre, London, as part of the Sixty-Six Books season in 2011.

A cutting-edge monologue that throws light on the experience of a teenager in contemporary Britain, from one of the country's most exciting young playwrights.

A monologue first performed by Laura Lomas at Soho Theatre, London, on 5 October 2009 as part of Paines Plough's LATER programme.

A monologue play about a woman on the day of her release from prison.

A fiercely funny look at the rocky relations between our press and politicians in a world of spin doctors and phone hacking.

A powerfully atmospheric one-woman play, All On Her Own tells the story of Rosemary who, alone at midnight in London, has a secret burden to share that is both heartbreaking and sinister.

A monologue about love and entitlement by Camilla Whitehill, author of Where Do Little Birds Go?, who was described by The Times as 'a writer of huge promise'.

A short play from the author of Disco Pigs and The Walworth Farce.

A short play from the author of Disco Pigs and The Walworth Farce.

A short play from the author of Mr Incredible and Where Do Little Birds Go?.

A provocative short play about parenthood and responsibility, from the author of Mr Incredible and Where Do Little Birds Go?.

A play about family, culture clash, memory and truth, commissioned by acclaimed theatre company Clean Break.

Two friends scratch out a living on the margins of society in a play commissioned by acclaimed theatre company Clean Break.

A short play from the author of Jumpers for Goalposts.