Modern Drama

Part of The Middlemarch Trilogy, adapted from George Eliot's novel by Geoffrey Beevers. Three interconnected plays, telling the story of Middlemarch from the perspective of a different set of characters: from county, town and countryside.

Part of The Middlemarch Trilogy, adapted from George Eliot's novel by Geoffrey Beevers. Three interconnected plays, telling the story of Middlemarch from the perspective of a different set of characters: from county, town and countryside.

Part of The Middlemarch Trilogy, adapted from George Eliot's novel by Geoffrey Beevers. Three interconnected plays, telling the story of Middlemarch from the perspective of a different set of characters: from county, town and countryside.

The first part of The James Plays cycle, exploring the complex character of the colourful Stewart King James I – poet, lover and law-maker.

The second part of Rona Munro's The James Plays cycle, James II: Day of the Innocents depicts a violent royal playground from the perspective of the child King and his contemporaries, in a terrifying arena of sharp teeth and long knives.

The third part of Rona Munro's The James Plays cycle, James III: The True Mirror, like the King himself, is colourful and unpredictable, turning its attention to the women at the heart of the royal court.

Joe Orton's brilliantly inventive and staggeringly bold first play.

A one-act duologue by Enda Walsh which went on to inspire his play Ballyturk.

A short monologue inspired by the Third Epistle of John and first produced by the Bush Theatre, London, as part of the Sixty-Six Books season in 2011.

A cutting-edge monologue that throws light on the experience of a teenager in contemporary Britain, from one of the country's most exciting young playwrights.

A monologue first performed by Laura Lomas at Soho Theatre, London, on 5 October 2009 as part of Paines Plough's LATER programme.

A monologue play about a woman on the day of her release from prison.

An outrageously satirical play examining women's experience and the women's movement over more than three decades in post-World War II America.

The final installment in Quiara Alegría Hudes’s three-play cycle, which began with Pulitzer Prize-finalist Elliot, A Soldier’s Fugue and Pulitzer Prize-winner Water by the Spoonful.

A fiercely funny look at the rocky relations between our press and politicians in a world of spin doctors and phone hacking.

A witty and compelling play that takes a piercing look at a family of performers coming to terms with the roles they play in each other’s lives.

A powerfully atmospheric one-woman play, All On Her Own tells the story of Rosemary who, alone at midnight in London, has a secret burden to share that is both heartbreaking and sinister.

A monologue about love and entitlement by Camilla Whitehill, author of Where Do Little Birds Go?, who was described by The Times as 'a writer of huge promise'.