A man turns up at Lucy’s door claiming to be the brother she hasn’t seen in ten years. But why has he come? Is it really him? And what happens when there’s another knock at the door?
An intriguing tale of loss, renewal and knowing who to trust, Alexandra Wood's The Human Ear was first produced by Paines Plough in their pop-up theatre, Roundabout, at the 2015 Edinburgh Festival Fringe, before touring.
'an intriguing tale... maintains high drama throughout'
'fascinating, intricate and tricky... keeps the audience on their toes... it reverberates quietly long after it’s over'
Alexandra Wood's plays include The Human Ear (Paines Plough); Ages (Old Vic New Voices); an English version of Manfred Karge's Man to Man (Wales Millennium Centre); Merit (Theatre Royal Plymouth); The Initiate (Paines Plough, Scotsman Fringe First); an adaptation of Jung Chang's Wild Swans (ART/Young Vic); The Empty Quarter (Hampstead Theatre); The Centre (Islington Community Theatre); Decade (co-writer, Headlong); Unbroken (Gate); The Lion's Mouth (Royal Court Rough Cuts); The Eleventh Capital (Royal Court) and the radio play Twelve Years (BBC Radio 4). She is a winner of the George Devine Award and was the Big Room Playwright-in-residence at Paines Plough in 2013.